The Infamous Stringdusters: The Laws of Gravity Tour

Hi-Fi Music Hall Presents

The Infamous Stringdusters: The Laws of Gravity Tour

The Ghost of Paul Revere

Wed · April 5, 2017

Doors: 7:00 pm / Show: 8:00 pm

Hi-Fi Music Hall

Advance Tickets: $18, Day of Show: $22

This event is 21 and over

The Infamous Stringdusters
The Infamous Stringdusters
Unlike rock 'n' roll, bluegrass music's boundaries are often defined in very narrow terms and that has caused some bands to carefully consider their place within the genre. But, in order to survive, everything must evolve... even bluegrass. Enter the Infamous Stringdusters, the very model of a major modern bluegrass band.

“At a certain point in our career, there was hesitation in calling us a bluegrass band,” guitarist Andy Falco admits. “These days, we’re much more comfortable with that label.” Banjo man Chris Pandolfi echoes the point: “We love bluegrass, but we have been influenced by other genres as much, if not more. When it comes to making music, we always try to be a blank slate and give new songs whatever they need to come to life. We just try to make something good, something that is true to who we are.”

On Laws of Gravity, that's exactly what the Infamous Stringdusters — Andy Hall (dobro), Jeremy Garrett (fiddle), and Travis Book (double bass), in addition to Falco and Pandolfi — have done. Their seventh studio set further proves that the band's collective whole is far greater than the sum of its individual parts, as the song selection and pitch-perfect performances weighs the Stringdusters' appeal to traditional fans against their musical quest to attract new listeners. It's a balance that comes naturally to the band.

Here, trad-leaning tunes like “Freedom,” “A Hard Life Makes a Good Song,” “Maxwell,” and “1901: A Canyon Odyssey” pick hard and soar high, letting trade-off solos and layered vocal harmonies work their magic. As it continues on, Gravity reaches its roots deep and wide, but never sacrifices the wings of the band, as exemplified in tracks like “Back Home” and “This Ol' Building” which pull from the blues and R&B strands of the Stringdusters' musical DNA.

“The specific feelings in those songs lend themselves to a soulful sound,” Hall explains. “The longing of 'Back Home,' the passion of 'This Ol' Building.' Slowing things down a bit, but still having a real edge and passion is the essence of that. And probably a bit of maturity on our part brings out a more authentic soulful sound.”

Indeed, the Stringdusters have worked hard to become the band they are or, perhaps, the band they wanted and knew themselves to be — a self-discovery process to which Laws of Gravity bears witness. “Once you start to move out of that, a lot of good things happen,” Pandolfi says. “You know who you are, and how to do your thing with confidence and experience. This colors the songwriting process as much as anything. We work so hard on the music, but it's not hard work. It's really the payoff, and it comes more naturally with time.”

Letting the past inform and the present propel, the Stringdusters' style and substance are uniquely Infamous. Since 2007, the band's ever-evolving artistry and boldly creative collaborations — including Ryan Adams, Joss Stone, Bruce Hornsby, Joan Osborne, and Lee Ann Womack — have pushed them past the edges of traditional acoustic music and carved out a musical niche all their own in the hearts of fans and critics, alike. Over the past couple of years, they released 2015's Undercover, a covers EP, followed by 2016's Ladies & Gentlemen, an album featuring multiple female guest vocalists. Those projects may have seemed like artistic tangents, but they actually proved to be a pretty direct route from there to Gravity.

“Being singers and songwriters, we were really ready to put some of our own songs out with us singing them,” Falco says. “In the same way solo projects can take you away to be able to come back and feel refreshed, the last two records have done that and we were ready to hit the studio with our songs sung by us.”

“We had much more of a vision for how we wanted this album to come together than we did with past projects,” Pandolfi adds. “We got the music, including all our individual parts, to a place where we knew we could go into the studio and just let it happen live. We are a band. We play live together and, more than any one song or achievement, this is what we do. Now we have an album that captures that.”

Part of Gravity's vision involved not road-testing and adapting the songs before taking them into the studio. That's a new step in the Stringdusters' process which starts with filtering through and whittling down a wealth of material to the best of the batch. “We take those 20 or so songs and take them to the next level as a band,” Pandolfi explains. “So much gets accomplished in this writing/arranging stage. It's where songs become Stringduster songs. In the end, we share the songwriting credit because of all the collective work that goes into this (and every other) aspect of being in a band.”

“We may try the song in a number of different feels before landing on something that works for the sound of the band. If a song is good, it usually comes together fairly quickly,” Halls says, adding, “But we’re writing more diverse stuff these days, so some experimentation is always welcome.”

While the new record boasts a single instrumental track, “Sirens,” where the five fellas really cut loose on their respective strings, the vocals across the other dozen tracks tie this music to the bluegrass tradition in an even more profound way. “Singing is a big part of bluegrass music,” Falco says. “It’s an important part of the sound and I think that part of music gets overlooked a lot. The singing should convey the emotion of the song. That's what we aim to do. One could argue that it's more important than the playing.”

Out beyond Laws of Gravity, the Infamous Stringdusters have an even broader vision. “We just want to keep making original music, keep evolving as people and musicians, and continue to help our amazing community of fans grow and enjoy this experience together,” Pandolfi says. “When we hear from people that our music or the community around our music has helped them find joy in life, it makes everything seem very worthwhile.”

Falco adds, “We love playing together and that’s the reason we’ve been doing it for as long as we have. We want to able to do this until we’re old and grey. That’s really it — making music together and continuing to evolve our brand of bluegrass music.”
The Ghost of Paul Revere
The Ghost of Paul Revere
“Mumford & Sons meet the Avett Brothers with a twist of bluegrass. Old Crow Medicine Show
with three-part harmonies. The Band for millennials… The Maine-grown, foot-stompin’ holler-folk
quartet create the type of music for which festivals are made.” - The Boston Globe
Born on the banks of the Saco River, brothers in all but name, the Ghost of Paul Revere
is Maine's holler-folk band. A powerful, energetic, non-traditional American folk band that’s
renowned for harmony fueled, heart-pounding performances full of songs with unique identities
that remain undeniably the Ghost of Paul Revere.
Formed around childhood friends Max Davis, Sean McCarthy, and Griffin Sherry, joined
by Matt Young on harmonica, the Ghost of Paul Revere played their first show together in 2011
at a tiny bar in Portland, Maine. Now, they play across the nation, bringing holler-folk into
houses, bars, and music halls. They have shared the stage with the Avett Brothers, The
Travelin’ McCourys, Brown Bird, Spirit Family Reunion, Darlingside, as well as members of
Greensky Bluegrass, the Infamous Stringdusters, and Old Crow Medicine Show.
Their critically acclaimed, Billboard charting full length album Believe, as well as their two
EPs North and Field Notes Vol. 1, have continually been the top selling local albums in Maine
and New Hampshire for more than four years. The Ghost of Paul Revere has since sold out Port
City Music Hall, Stone Mountain Arts Center, and the Strand Theater multiple times, won Best In
Maine at the 2014 New England Music Awards, were an official showcase artist at Folk Alliance
International 2015 and made their Newport Folk Festival debut in August 2015. They capped off
2015 with an electrifying headline performance on New Year's eve at Portland's State Theatre in
front of 1,600 enraptured fans.
In 2016, amidst touring nationally, they returned to the studio to craft their second full
length album, engineered by Jonathan Wyman at Halo Studios and mastered by Adam Ayan of
Gateway Mastering. The album is expected to be released in early 2017.
"Robustly played, masterful amalgamation of bluegrass, folk, and gospel for the Millennial
Generation... The Ghost of Paul Revere prove that superior roots music can come from
anywhere." - No Depression
"Simply put, this band is one to see live... A gorgeous blend of bluegrass, folk and good old
fashioned rock and roll... their performance takes on a boot-clacking brilliance that transforms
each song into a full-on participatory event, sending an electric surge about the room that’s near
impossible not to feel. Add to that a layered three part harmony coursing through each soulful
song, and The Ghost of Paul Revere demonstrated they not only had the chops, but the heart to
reach their audience and leave an undeniable impression as well. As the floorboards shook with
each pounding stomp, one thing was certain: the band announced they had arrived, loud and
clear." - Dispatch Magazine
"Simply put North is an album that shouldn't be missed. (It will) make even the most callous of
individuals feel the unbridled joy of Holler-Folk." - Ear to the Ground Music
"A distinguished sound that only seasoned musicians can usually attain" - Portland Press Herald
"(The Ghost of Paul Revere) stole the show. I was so impressed with them. Their harmonies,
stomping percussion, and vocal power were stellar... their songs progressed from mellow to
powerhouse... their harmonies are superb and their songs have power." - whatbreesees.com
Venue Information:
Hi-Fi Music Hall
44 E. 7th Ave
Eugene, OR, 97401
http://hifimusichall.com/