Burger A Go Go - Night 1 w/The Coathangers

Red Light Productions Presents

Burger A Go Go - Night 1 w/The Coathangers

Death Valley Girls, The Flytraps, Feels

Wed · February 21, 2018

Doors: 7:00 pm / Show: 8:00 pm

Hi-Fi Music Hall

General Admission - Wednesday Only: $20, Two-Night Pass: $30

This event is all ages

The Coathangers
The Coathangers
Garage Rock band from Atlanta, Georgia, USA.

If you’re familiar with The Coathangers then you probably know the Atlanta group’s premise. The story goes that four young women decided to start a band for the sole purpose of being able to hang out and play parties. They weren’t going to let the fact that none of them knew how to play any instruments get in the way of their having a good time. The backstory certainly added to the charm of early songs like “Nestle In My Boobies” and “Stop Stomp Stompin’”--songs that resided somewhere between no-wave’s caustic stabs of dissonance and garage rock’s primal minimalism. In the seven years since their formation, The Coathangers have released a slew of records and toured across North America and Europe countless times. The persistence of such a casual endeavor is a testament to the infectious quality of their songs and the electric nature of their unruly live show.

Suck My Shirt is the The Coathangers’ fourth full-length. The title refers to an incident involving the salvaging of spilled tequila during the recording session for the album. While the title implies that little has changed with regards to the band’s celebratory mission statement, even just a cursory listen of their latest album demonstrates that there have indeed been changes in The Coathangers’ camp. First off, the quartet was reduced to a trio for the latest record, with keyboardist Bebe Coathanger (Candice Jones) stepping down from her duties. But the absence of keyboards isn’t nearly as noticeable of a difference as the band’s refined songwriting approach. Refinement is an attribute we expect to see in any group that has a career spanning more than a couple of years, but the extent to which The Coathangers have honed their trade with each successive album dwarfs most bands’ maturation. This isn’t to say that The Coathangers have polished their sound; the group once again worked with Ed Rawls and Justin McNeight and The Living Room to attain the same production values of their Larceny & Old Lace album and their recent slew of split 7”s. Rather, the refinement can be heard in the quality of the songs themselves. While the band retains the alluring spontaneity and happy accidents of their early releases, the trio’s current work sounds far more deliberate and locked-in than anything they’ve done in the past.

“It’s a balance between overthinking and just going for it,” guitarist Crook Kid Coathanger (Julia Kugel) says of their songwriting strategy. It’s a duality immediately apparent with the album opener “Follow Me”. It’s a classic Coathangers tune with the raspy vocals of Rusty Coathanger (Stephanie Luke) belted out over the signature grimy rock laid down by Crook Kid and bassist Minnie Coathanger (Meredith Franco). But the chorus opens into one of the most accessible hooks in the band’s canon, just before segueing into the next verse with a squall of violent dissonant guitar. From there the band launches into “Shut Up”, a title that harkens back to the brash sass of their first record. The song still has its spikey guitar riffs and shouted chorus, but here The Coathangers sound less like a jubilant version of Huggy Bear and more like the art-pop of late-era Minutemen. Dedicated Coathangers fans will recognize the re-worked versions of “Merry Go Round”, “Smother”, “Adderall”, and “Derek’s Song” from their run of limited edition split 7”s, and hearing them in the context of the album shows that these tracks weren’t merely isolated examples of the band’s more sophisticated side, but were actually demonstrative of the group’s increasing capacity for nestling solid melodic hooks and rock heft into their repertoire. By the time the band wraps up the album with the humble pop perfection of “Drive”, it’s hard to believe this was the band that garnered their reputation with raucous bombasts like “Don’t Touch My Shit”.
“Ultimately, every album is a snapshot of who we were at the time,” says Crook Kid. And while that might mean that The Coathangers in 2014 don’t feel compelled to chronicle the youthful piss and vinegar that yielded the Teenage Jesus & The Jerks-esque spasms of their debut album, it’s exciting to hear the output of the band as they explore the range of their temperaments with a broader musical palette at their disposal. Suck My Shirt is available on LP, CD, and digital formats on March 18th 2014 via Suicide Squeeze Records.
Death Valley Girls
Death Valley Girls
Think of Death Valley Girls as an acid-tripping science experiment that’s been buried alive, and resurrected as a sexually liberated dystopian chain-gang. A cosmic scar, if you will, on the hills of Echo Park, where the experiment began in 2013 by proto-punk Bonnie Bloomgarden and guitarist Larry Schemel — who got lost in the desert, returned to their haunted garage in Echo Park, and pieced together their vision with shopworn images of sexploitation babes, a blood-soaked Iggy Pop, and Bloomgarden’s series of phantasms, the result of spending a year in a mental institution, where she planned her neon-glowing odyssey by listening to Black Sabbath and UFO, reading about alien conspiracy theories, and deriving her band’s moral compass from a line she saw in a movie:

“Everybody’s gotta be in a gang,” from campy sexploitation romp Switchblade Sisters (1975).
The Flytraps
The Flytraps
Marz- rhythm guitar/ vox
Beth- lead guitar
Shay- drums
Kristin- bass/vox
Feels
Feels
FEELS: psych punk grunge post future rock + roll whatever band born and raised in LA, CA and taking the world by storm with the wild energy of their live shows and with their Ty Segall produced, self-titled debut LP, released in Spring 2016 on Castle Face Records (LP/CD) and Burger Records (cassette). Sophomore album due out Spring 2018!!!



Live reviews:

"...They’ve figured out a way to be melodic yet rough as well as musically talented but raw. Laena’s voice is downright beautiful and she performs with so much elegance. She has a Bowie-esque grace on stage which she is able to compliment with some pretty filthy guitar work. When her and guitarist Shannon Lay trade off vocals during songs expect goosebumps. The new addition to the lineup and contributor to their new, heavier sound is bassist Amy Allen. She is fast and drivey and is a perfect fit for how Feels should sound. When the crowd overcame the initial awe, violence ensued and a night full of substantial moshing commenced. Feels are dynamic, original, talented and easy to bang your head to. An A+ for sure."
-Janky Smooth (The Constellation Room opening for King Tuff - http://goo.gl/705tij)

"A hallway away, the smaller Constellation Room offered glimpses of a dozen-plus upstarts. The most promising was Feels, a new Los Angeles quartet formerly known as Raw Geronimo. Led by the assured, often electrifying hum of two strumming guitarists -- singer-guitarist Laena Geronimo (formerly of the Like) and rhythm guitarist and keyboardist Shannon Lay -- Feels pushed forth heavy, hard punk with more swagger than many of the acts on the main stage."
- The Los Angeles Times (Burger-a-go-go) http://goo.gl/xY8l99)

"Feels was aggressive in both sound and attitude. A trio of women with a male drummer, Feels played as if they were in an arena of 10,000 people instead of a sweaty tiny room filled to capacity. First off let’s take the “girl” out of girl power and call it like it is, just plain power. If a prefix is necessary to add to the power that Feels emanated on this night than “raw” might be more apt. Yes, I made an Iggy comparison."
- Lo-Pie
(http://goo.gl/8QT8de)
Venue Information:
Hi-Fi Music Hall
44 E. 7th Ave
Eugene, OR, 97401
http://hifimusichall.com/